今說說大門。一處建筑物，可以沒有窗戶，但一定要有門，無論陽人住的院子，還是陰人住的陵墓，都要有出入口，也就是門。門在建筑的體系里，非常重要，它本身就是陽宅三要的重要元素之一。很多民間傳說的風(fēng)水先生，走過路過，就知道一戶人家的成敗興衰，很大一部分，就是從大門看出來的。不光民居住宅有大門的講究，各種公共建筑也都對大門非常重視——我大學(xué)時候的校門，據(jù)說修的有問題，學(xué)校就各種事情，各種傳說，后來專門重新修了校門。

　　Now let's talk about the gate. A building may not have windows, but it must have a door. Whether it is a courtyard where yang people live or a tomb where yin people live, there must be entrances and exits, that is, doors. The door is very important in the architectural system, and it is one of the three essential elements of a mansion. Many feng shui masters in folk legends know the success, failure, and rise and fall of a household by passing by, and a large part of it can be seen from the gate. Not only do residential buildings pay great attention to the importance of having a gate, but various public buildings also attach great importance to the gate. When I was in college, the gate was said to have been repaired incorrectly, and the school had various issues and legends. Later, the gate was specially rebuilt.

　　2.古時候，修造大門是有嚴格的等級劃分，不可僭越，所有修造細節(jié)均有典章規(guī)定，如《大明會典》《大清律例》《工部工程做法則例》，從門的數(shù)量、開間、高度、臺基、裝飾、色彩到附屬構(gòu)件，都與主人的身份、爵位、官階嚴格對應(yīng)，甚至庶民的門也有明確的規(guī)定，不用朱色、不設(shè)門釘?shù)?。大門的最高等級，當(dāng)屬皇家大門，也是中國大門修造制度的天花板，只有皇宮、太廟、社稷壇等皇家建筑可用，都有自己特有的規(guī)制、裝飾和符號，這種規(guī)制從唐宋至明清一脈相承，只是細節(jié)略有調(diào)整?；蕦m的正門，一般是重檐廡殿頂或歇山頂，最高等級，是開間9，進深5，也就是象征九五之尊。次一級的皇親國戚，大門則不可以超過五開間，進深也不能過三。再次一級的大臣，大門不可以超過三開間；再次一級的普通官員，大門只可以做一間；老百姓，大門都不可以有間，就一個柴門好了，不可以做頂。所以，如果知道這個等級劃分，你路過一些宅院，只看大門的規(guī)制，也就知道了這個家族的過去。

　　In ancient times, there were strict hierarchical divisions in the construction of large gates, which could not be exceeded. All construction details were regulated by laws and regulations, such as the "Code of the Great Ming Dynasty", "Regulations of the Great Qing Dynasty", and "Code of Engineering Practices of the Ministry of Works". The quantity, opening, height, platform base, decoration, color, and ancillary components of the gate were strictly corresponding to the identity, title, and official rank of the owner. Even common people's gates had clear regulations, such as not using vermilion color or door studs. The highest level of the gate is undoubtedly the Royal Gate, which is also the ceiling of China's gate construction system. Only royal buildings such as the Imperial Palace, the Temple of Heaven, and the Altar of State can be used, each with its own unique regulations, decorations, and symbols. This regulation has been passed down from the Tang and Song dynasties to the Ming and Qing dynasties, with slight adjustments in details. The main entrance of the imperial palace is usually a double eaved pavilion or gable roof, with the highest level being 9 bays and a depth of 5, symbolizing the revered figure of 95. For the second level imperial relatives, the gate cannot exceed five bays and the depth cannot exceed three. The first level minister must not have a door that exceeds three bays; Ordinary officials at the next level can only have one main entrance; Ordinary people, there should be no room at the entrance, only one firewood door is enough, it cannot be used as a roof. So, if you know this level classification, you can pass by some mansions and only look at the regulations at the entrance, and you will also know the past of this family.

　　3.皇宮大門開間最多是9間，宮殿的開間最多也是9間；但宮殿有例外，有的祭祀祖先或者神靈，或者有特殊含義的宮殿，開間可以達到11間。老百姓的房子也一樣有規(guī)定，古時候，是不可以超過3間，超過了就是僭越，要挨板子的。那這個僭越，就逐漸成了文化的一部分。文化，也就是風(fēng)水。有時候，我們說風(fēng)水和文化是一回事，究其根源，其實是一個文化體系里，念力的集中。如果A在一個文化體系里，它是好的，那這種好的念力，就會隨著文化的發(fā)展，越來越強化，直到A會成為一個美好的代表。同理，如果B在一個文化體系里，它是不好的，那這種不好的念力，就會隨著文化的發(fā)展，時間的推移，越來越強，直到B成為一個不好的代表。

　　3. The maximum number of open rooms for the palace gate is 9, and the maximum number of open rooms for the palace is also 9; But there are exceptions to palaces, such as those dedicated to ancestors or deities, or those with special meanings, which can have up to 11 rooms. The houses of ordinary people also have regulations. In ancient times, it was not allowed to exceed three rooms. If it exceeded, it was considered trespassing and one would be punished with a board. Then this usurpation gradually became a part of culture. Culture, also known as Feng Shui. Sometimes we say that Feng Shui and culture are the same thing, but at its root, it is actually the concentration of mental energy within a cultural system. If A is good in a cultural system, then this positive mindset will become increasingly strengthened as the culture develops, until A becomes a beautiful representative. Similarly, if B is not good in a cultural system, then this negative mindset will become stronger over time as the culture develops, until B becomes a bad representative.

　　4.再回到大門的開間，雖然在現(xiàn)代，如果一戶人家的大門做的太大，都會被周圍的人詬病的，因為，這個就是人們記憶里的僭越。人們會怎么說，看，這個大門修的太過了，主家能承受的住嗎？！如果，每個人都這么說，那就會在無形中集聚一種念力，就和股市一樣，大家都認為它要漲的時候，它就會漲；大家都認為要跌的時候，它就會跌；——這就是念力的一種直接提現(xiàn)。在風(fēng)水上也一樣，大家都認為這個地方好，那它就會真的好，哪怕有瑕疵，也會有熱心人給修復(fù)；如果一個地方，人們都認為不好，那就真的好不起來。有科學(xué)家做過實驗，一處空間，本身很干凈，那大家就都不亂丟垃圾，本能的保持空間的整潔干凈；如果一處空間，雜亂差，那大家就無形中也會亂丟垃圾，不去維護。是不是有點感覺了，這就是共識、念力，和空間的關(guān)系。引申到生活中，人過留名，雁過留聲，這個名，就是人們對一個人的共識和念力。

　　4. Returning to the opening of the front door, although in modern times, if a household's front door is made too large, it will be criticized by those around it, because this is what people remember as usurpation. What would people say? Look, this gate has been repaired too much. Can the homeowner bear it?! If everyone says so, it will gather a kind of mental energy invisibly, just like the stock market, when everyone thinks it is going to rise, it will rise; When everyone thinks it's going to fall, it will fall; ——This is a direct withdrawal of psychic power. In feng shui, it's the same. If everyone thinks a place is good, then it will really be good. Even if there are flaws, there will be enthusiastic people to repair them; If people think a place is bad, then it really isn't good. Scientists have conducted experiments where if a space is already very clean, then everyone will not litter and instinctively maintain the cleanliness of the space; If a space is messy and poorly maintained, people will unconsciously litter and neglect maintenance. Do you have a feeling that this is the relationship between consensus, mindfulness, and space. In daily life, people leave their names behind, while geese leave their voices behind. This name represents people's consensus and imagination towards a person.

　　5.黃土高坡這邊修窯洞，都是一排，現(xiàn)在人們生活好了，窯洞的數(shù)量也是越修越多，從古時候的3開間，逐漸修到了5開間7開間；有些家戶，甚至修到了9開間。那修到9開間的時候，我們就要注意了，這個在數(shù)字上，屬于陽極，也就是最大，也就是古時候皇帝家的開間數(shù)，如果弄不好，又會犯了文化上的錯誤。那么，又想修到9開間，又不想犯文化的這個錯誤，該怎么辦呢？前段時間，就有個類似的案例，黃土高坡一個客戶，他要改造一處老院子，原本是3開間，他要改造成9開間。最后的方案，還是參考了窯洞設(shè)計中的明5暗4的設(shè)計手法，在9個窯洞一排的情況下，分主次、分明暗、分陰陽，在設(shè)計階段，就解決了文化僭越的問題。

　　On this side of the Loess Plateau, there are rows of cave dwellings being built. Nowadays, people's lives have improved, and the number of cave dwellings is increasing. From the ancient three bay houses, they have gradually been built to five bay houses and seven bay houses; Some households have even expanded to nine rooms. When we reach room 9, we need to pay attention to it. In terms of numbers, it belongs to the anode, which is the largest, that is, the number of rooms in the emperor's house in ancient times. If we don't handle it properly, we may make cultural mistakes. So, what should we do if we want to make it to Room 9 without making the cultural mistake? A while ago, there was a similar case where a client on Huangtu Gaopo wanted to renovate an old courtyard. Originally, it was a 3-bedroom building, but he wanted to convert it into a 9-bay building. The final plan still referred to the design technique of "bright 5 dark 4" in cave dwellings. In the case of nine cave dwellings arranged in a row, they were divided into primary and secondary, clear darkness, and yin and yang. In the design stage, the problem of cultural usurpation was solved.

　　6.大門除了規(guī)制，周圍的環(huán)境也很重要。舉個例子，如果大門正對著一條路，這在風(fēng)水上叫路沖，這也是修大門時候，要特別忌諱的。但城市的規(guī)劃，有時候避免不了一些大門要正對著路，這種難道就沒救了嗎？其實，在設(shè)計階段，就要把這個問題解決。一般情況，我們會把大門修成懷抱狀，要讓路沖過來，我們把這個沖的能量給收起來。所以，在大門懷抱狀的同時，我們還要進行一些其它配景的處理，比如要在大門收的盡頭，做水池、影壁等，可以滿足常說的化解的程序，要懷抱門把路沖化掉，再配合其他的元素來解。這個其他元素呢，就是要根據(jù)不同的情況，不同的人，不同的空間，做具體且唯一的選擇。為什么是唯一呢？有句話叫殊途同歸，我們在做建筑設(shè)計的時候，都會仔細分析一塊地，從它的區(qū)位、地形、周邊環(huán)境、商業(yè)屬性進行綜合評判，往往最后的方案，大家的結(jié)果會出奇的一致，最直接的表現(xiàn)，就在大門的位置，和整個空間體塊的展現(xiàn)。

　　Besides regulations, the surrounding environment is also important for the entrance. For example, if the gate faces a road directly, it is called a road rush in feng shui, which is also something to be particularly avoided when repairing the gate. But in urban planning, sometimes it is inevitable that some gates have to face the road directly. Isn't this hopeless? Actually, in the design phase, this problem needs to be solved. In general, we will build the gate into a embrace shape, and when we need to make way and rush towards it, we will collect the energy of this rush. So, while embracing the gate, we also need to do some other landscaping treatments, such as creating a water pool, a shadow wall, etc. at the end of the gate, which can meet the commonly mentioned resolution process. We need to embrace the gate to wash away the road, and then combine it with other elements to resolve it. This other element requires specific and unique choices based on different situations, people, and spaces. Why is it the only one? There is a saying that goes, 'Different paths lead to the same destination.' When we are doing architectural design, we carefully analyze a piece of land and make comprehensive evaluations based on its location, terrain, surrounding environment, and commercial attributes. Often, the final plan will be surprisingly consistent, and the most direct manifestation is the position of the entrance and the presentation of the entire spatial block.

　　7.前段時間，有個地塊要開發(fā)，我們進行分析，根據(jù)各種因素，綜合推演出，這個地塊的建筑，需要做成具備圓弧狀的建筑，才是最佳選擇。后來，出了幾版方案，有各種形狀，經(jīng)過幾輪專家評審論證，最終優(yōu)選的方案，還是當(dāng)初推演出的圓弧狀建筑。類似的案例比較多，這就是不同的地塊，適應(yīng)不同的建筑，在人們的潛意識，或者文化的深層次，就已經(jīng)決定了它最終要展現(xiàn)出來的最佳形態(tài)。所以，風(fēng)水和建筑其實是一體的，做的多了，見到一個地塊，自然就知道，該怎么修造，才最契合這個場地。比如，盧浮宮的金字塔，當(dāng)時有很多方案，但都覺得和場地有一些差異，最后貝聿銘的方案拔得頭籌。為什么？因為金字塔的方案，在那個空間，就是最符合、最舒服的選擇。

　　Recently, there was a plot of land that needed to be developed. Based on various factors, we conducted an analysis and comprehensively deduced that the buildings on this plot need to be made into circular buildings in order to be the best choice. Later, several versions of the plan were released, with various shapes. After several rounds of expert review and argumentation, the final preferred plan was still the circular arc-shaped building originally proposed. There are many similar cases, which are different plots of land that adapt to different buildings. In people's subconscious or deep cultural levels, it has already determined the best form it will ultimately present. So, Feng Shui and architecture are actually integrated. With a lot of practice, when you see a piece of land, you naturally know how to build it that best fits the site. For example, the pyramid at the Louvre had many plans at the time, but they all felt that there were some differences from the site. In the end, I.M. Pei's plan came out on top. Why? Because the pyramid scheme is the most suitable and comfortable choice in that space.

　　8.老百姓修房子，是很注重風(fēng)水的，大門也是重中之重，他可能自己會把屋子修好，不找人看，但大門多半會找個人看看怎么安。也正因為對大門的重視，才在各地，會出來各種奇怪的大門朝向修造。比如在太行山、云南、黃土高坡等地的院落，經(jīng)常會有院子是方的，但大門是斜開的情況。究其根源，大門斜開，最初都是因為地形所限，正開出去就是懸崖，所以，只能根據(jù)具體地形，找個可以走門的地方。日月推移，斜開門的住家發(fā)達了，就有人研究，慢慢這種開門方式就在當(dāng)?shù)貍鏖_了，有些院子，就會次一級考慮地形，優(yōu)先選擇發(fā)達家的斜開門方式了。在陜北的有些村落鄉(xiāng)鎮(zhèn)，你會發(fā)現(xiàn)整個村子的大門，都是斜開，且都朝一個方向；哪怕都在平原處建的院落，沒有地形所限，開大門也都會選擇斜開。這種情況，就和當(dāng)?shù)氐男拊祜L(fēng)俗有關(guān)了，和風(fēng)水關(guān)系不大了。風(fēng)水是要考慮空間的變化，不同的地塊，氣口的選擇是不一樣的。但從嚴格的風(fēng)水意義上來說，我們在修造大門的時候，一般不會修斜門，這稱為開斜門走歪道，是很難出貴人的。最簡單的例子，參考皇家建筑，故宮要修造大門，你給修個斜門，放心，絕對會被殺頭的。

　　8. Ordinary people pay great attention to feng shui when repairing houses, and the front door is also of utmost importance. They may fix the house themselves without looking for anyone to look at it, but they will most likely find someone to check how to install the front door. It is precisely because of the importance attached to the gate that various strange gate orientations are built in different places. For example, in the courtyards of Taihang Mountains, Yunnan, Loess Plateau and other places, there are often square courtyards with slanted doors. At the root of it all, the slanted opening of the gate was initially due to terrain limitations, and as soon as it opened, it was a cliff. Therefore, we could only find a place to walk through the gate based on the specific terrain. As the sun and moon passed, houses with slanted doors became more developed, and some people began to study this way of opening doors. Gradually, this method of opening doors spread in the local area, and some yards would prioritize the terrain and choose the slanted door opening method of developed houses. In some villages and towns in northern Shaanxi, you will find that the gates of the entire village are slanted and face in one direction; Even if the courtyards are built on plains without terrain limitations, they will choose to open their doors diagonally. This situation is related to the local customs of cultivation and has little to do with feng shui. Feng Shui requires consideration of spatial changes, and the selection of air vents varies for different plots of land. But strictly speaking, in terms of feng shui, when we build a gate, we usually do not build a slanted gate. This is called opening a slanted gate and taking a crooked path, which makes it difficult to attract a benefactor. The simplest example, referring to royal architecture, is that the Forbidden City needs to build a gate. If you build a slanted gate, don't worry, you will definitely be killed.

　　9.之前說，我們修造院落，都要有大門，其實，這是有例外的。我這些年走江湖，幫人選地，修地，修院落，還真是遇到過一個村子，他們修院落，是沒有圍墻和大門的。這個地方，就是陜西榆林橫山的波羅附近的一個村子。這個村子，地處無定河畔，是古戰(zhàn)場，古時候一直在打仗，戰(zhàn)死了很多人。當(dāng)時戰(zhàn)況激烈，戰(zhàn)死的人，都就地掩埋。隨著和平年代的到來，這個地方逐步成了村子，人們開始在這塊土地上蓋房子，但一挖地，就挖出死尸，不好處理不說，還很膈應(yīng)人。于是，當(dāng)?shù)卮迕裥薹孔?、修地，就盡量少挖地，到后來索性連圍墻大門也都不修了。所以，你若到那個村子轉(zhuǎn)，會發(fā)現(xiàn)很多老房子都不修院墻和大門的。（新修的一些院落，有上大門。）

　　Previously, it was said that when we build a courtyard, we need to have a gate. However, there are exceptions to this. I have been wandering in the rivers and lakes for years, helping people select land, repair land, and build courtyards. I have really encountered a village where they built courtyards without walls or gates. This place is a village near Boluo in Hengshan, Yulin, Shaanxi. This village is located on the banks of the Wuding River and is an ancient battlefield. In ancient times, there were always wars and many people died in battle. At that time, the battle was intense, and those who died were buried on the spot. With the arrival of the era of peace, this place gradually became a village, and people began to build houses on this land. However, as soon as they dug up the ground, they would dig up dead bodies, which were difficult to deal with and also very frustrating. So the local villagers tried to build houses and land as little as possible, and eventually decided not to even repair the walls and gates. So, if you go to that village, you will find that many old houses do not have courtyard walls and gates. (Some newly built courtyards have upper gates.)

　　10.大門很重要，有成語門當(dāng)戶對、門戶之見，我們不說現(xiàn)在的意思，直說這個對和見。對就是對著，見就是見到，都意思是門前的東西。那在風(fēng)水學(xué)中，門前的東西是非常重要的，開門要見喜，而不可以見到不好的東西。在現(xiàn)代，如果大門正對著醫(yī)院，這個引起的心理感受肯定是不好的；同理，正對著法院，也是不好的。我們再回顧一下前幾篇文章說的煞氣，那就很好理解了，如果大門正對著煞氣，那就是不利，比如高壓電他、煙囪、尖角、臭水坑等。有次，給一個工廠處理布局問題，他們家大門正對著一個寺廟的塔。這個其實也是不利的，塔是古時候得道高僧去世后的埋葬之地，相當(dāng)于墳?zāi)?；而且，塔又是尖角，又長又尖，相當(dāng)于釘子，大多數(shù)情況也是不好的。所以，風(fēng)水學(xué)有時候也很簡單，你先要讓自己靜下來，然后仔細觀察周圍的環(huán)境，看什么東西讓你感覺到不舒服，那就把它移開，或者處理掉，每天處理一點，改一點，天長日久，你的空間就舒服了。這個和我們?nèi)粘Ｉ罱煌彩峭恚揭欢A段，你就要清理你的圈子，不好的人，就應(yīng)該遠離他，圍繞你的應(yīng)該是良師益友。

　　10. The front door is very important, as there is an idiom "door to door" or "door to door view". We won't say the current meaning, just say this "right to door view". Right means facing, seeing means seeing, both mean things in front of the door. In Feng Shui, what is in front of the door is very important. When you open the door, you should see happiness, not bad things. In modern times, if the door faces the hospital directly, the psychological feeling caused by this is definitely not good; Similarly, facing the court directly is also not good. Let's review the negative energy mentioned in the previous articles again, which is easy to understand. If the door is facing the negative energy, it is unfavorable, such as high-voltage electricity, chimneys, sharp corners, stinky puddles, etc. Once, when dealing with a layout issue for a factory, their front door was facing a temple tower. This is actually disadvantageous. Pagodas were the burial places of enlightened monks in ancient times, equivalent to tombs; Moreover, the tower is sharp, long and pointed, like a nail, and in most cases it is not good. So, sometimes feng shui is also very simple. First, you need to calm yourself down and carefully observe the surrounding environment. If something makes you feel uncomfortable, then move it away or deal with it. Treat it a little every day, change it a little. Over time, your space will become comfortable. This is the same as our daily interactions. At a certain stage, you need to clear your circle. Those who are not good should stay away from them, and those around you should be good teachers and friends.

　　11.說到這兒了，強調(diào)一句，大多數(shù)情況，家里不要有鐵器，陰宅墳地上，也不可以有鐵器。鐵器是個神奇的物件，順便講個比較神奇的案例。2021年的時候，我去接近內(nèi)蒙的一個叫爾林兔的地方，那次是去看一塊陰宅。這個客戶，第一次見他的時候，他就問我，說你看他身上哪個地方有病?我端詳了一會兒，說，你是肉疼，你后背的肉疼。他說是的，真的就是肉疼。原來，他的肌肉和骨頭中間有一層骨膜，那層膜發(fā)炎十幾年好不了，他就最疼的時候連地都下不了的，很難受的。

　　11. Speaking of which, it should be emphasized that in most cases, there should be no iron objects at home, and no iron objects should be placed on the burial ground of a house. Ironware is a magical object, let me give you a more magical example. In 2021, I went to a place called Erlintu near Inner Mongolia to see a shady house. When I first met this client, he asked me, 'Where do you think he is sick?'? I looked at it for a while and said, 'You have a sore flesh, the flesh on your back hurts.'. He said yes, it really hurts the flesh. Originally, there was a layer of periosteum between his muscles and bones, which had been inflamed for over a decade. When it hurt the most, he couldn't even get off the ground, which was very uncomfortable.

　　然后他問我，這到底怎么回事？其實，在我這邊看，這就是陰宅的不利造成的。他說他家陰宅有什么問題嗎?告知他所在的問題之后，因為比較專業(yè)，他聽不明白。我說，這么著吧，你回去看，你家陰宅往前5米有塊鐵，往后20米有塊鐵，左邊15米也有鐵塊。他說沒有，他們家那邊都是草原，草原一望無際，啥都沒有。我說，咱上去看看就知道了。

　　Then he asked me, what's going on here? Actually, from my perspective, this is caused by the disadvantages of living in seclusion. Did he say there are any problems with his mansion? After informing him of the issue, he couldn't understand because he was quite professional. I said, let's go back and take a look. There is an iron block 5 meters in front of your house, 20 meters behind it, and 15 meters to the left. He said no, there are grasslands all over their house, and the grasslands stretch endlessly without anything. I said, let's go up and take a look.

　　12.第二天，我們就驅(qū)車到了他家山地，果然是一望無際的草原，綠油油的，很漂亮；草不高，大概就5厘米左右。然后，就在他家的墳包前，往前走了幾步，大概5米，有叢灌木草，撥開草，里邊赫然躺著一塊30厘米左右的金色的鐵皮。之后，又到左邊和后邊的10米和15米，各找到一塊差不多大的金色鐵片。這個金色的鐵片是什么？其實是天上衛(wèi)星的整流罩，當(dāng)?shù)亟?jīng)常有回收衛(wèi)星。那為什么可以感受到鐵片的氣息呢？因為，鐵片亦或是金屬，氣場真的很強大，地看多了，就會感受到氣息的波動，就可以感受到金屬的干擾，這種金色的鐵片，如果在特定的地方，氣場就更強了。

　　The next day, we drove to his mountainous area, which was indeed an endless grassland, green and beautiful; The grass is not tall, about 5 centimeters. Then, walking a few steps forward in front of his grave, about 5 meters away, there was a clump of bushes and grass. Pushing aside the grass, there was a golden iron sheet about 30 centimeters lying inside. Afterwards, go to the left and back 10 and 15 meters respectively, and find a roughly sized golden iron piece. What is this golden iron piece? It's actually a fairing for a satellite in the sky, and there are often satellites being recovered locally. Why can one feel the scent of iron sheets? Because, whether it's iron or metal, the aura is really strong. If you watch too much, you can feel the fluctuation of the aura and feel the interference of the metal. This golden iron piece, if in a specific place, has a stronger aura.

　　那他們之前為什么就看不到呢？是因為，這個世界，有時候講機緣，就好像我們有時候找東西，它哪怕就在眼前，也是死活找不到，在一個特定的時刻，才會發(fā)現(xiàn)它就在那兒。所以，找東西如果當(dāng)時找不到，就歇會兒再找，或者索性不著了，反正到了特定的時候，它自己就會出來。他們之前看不到金色的鐵片，也是同樣的道理，因為該他發(fā)現(xiàn)的機緣還不到。這些，也就是中國文化的神奇之處，它強調(diào)一種天人感應(yīng)和天人合一的狀態(tài)。墳地在我們的文化里，又是家族的根本，所以，在一種能量場下，會優(yōu)先感應(yīng)到一些器物。

　　Why couldn't they see it before? It's because in this world, sometimes we talk about opportunities, just like when we search for something, even if it's right in front of us, we can't find it alive or dead. It's only at a specific moment that we realize it's there. So, if you can't find something at the time, take a break and look again, or simply forget about it. Anyway, at a specific time, it will come out on its own. They couldn't see the golden iron sheet before, and the same principle applies, because the opportunity he should have discovered it hasn't arrived yet. These are the miraculous aspects of Chinese culture, which emphasize a state of harmony and unity between heaven and man. Cemetery is the foundation of our culture and family, so in an energy field, some objects will be sensed first.

　　13.關(guān)于大門，其實要說的很多，從門的形制、大小、顏色，直到門的各種配件，門檻、門環(huán)、門釘、門楣，都有很多講究，這個要說，夠細說一陣子了，所以，我們有時候做一些東西，它可以做到很細致，就拿門來說，大的是朝向形制，小到一個門檻的尺寸，門楣上的雕花，門環(huán)的材質(zhì)，都有故事的。甚至，你門前對著一條路，我們就要用一種門的方案應(yīng)對；要是門前對著一條河，那也是一種門的方案應(yīng)對。或者，你對著路的門，怎么開，就要用什么門；對著河的門怎么開，就要用什么門。我們的古人，在這方面是很講究的，內(nèi)在的邏輯系統(tǒng)也是很理性、清晰的。但，歸根結(jié)底，一個好的大門，符合風(fēng)水學(xué)原理的大門，肯定是舒服的。

　　Regarding doors, there is actually a lot to talk about, from the shape, size, color, to various accessories such as door sills, door rings, door studs, and lintels. There are many details that need to be explained in detail for a while. Therefore, sometimes when we make things, they can be made very detailed. Take doors as an example, the largest ones are the orientation shape, while the smallest ones are the size of a threshold, the carvings on the lintel, and the material of the door lintel, all have stories to tell. Even if you face a road in front of your door, we have to use a door plan to deal with it; If there is a river in front of the door, it is also a solution for the door. Or, you can open the door facing the road and use the same door as you want; The door facing the river must be opened using the same door. Our ancient people were very particular about this aspect, and their internal logical system was also very rational and clear. But ultimately, a good door that conforms to the principles of Feng Shui is definitely comfortable.